2017
Megjelenés / Appearance, acb Attachment, Budapest
elé / prê, Everybody Needs Art Viewing Space, Budapest

2016
Logos, Tekhnos, Textos, Videos, Audios, Lajos, Budapest Gallery, Budapest

2015
Vectors - Inscription on a future ancient skull II. New Budapest Gallery
The Blood is Red / The Patterns of Blood Neon Gallery, Budapest

2014
Milksoup as a Forced Existentialist Metaphor Higgs Field Gallery, Budapest
Vectors - Inscription on a future ancient skull Miskolc Gallery Municipal Museum

2013
Occasion
Pecs Gallery M21, Pécs

2012
Everything eats, everything is eaten
Trafo Gallery, Budapest
Ghost Trap
Neon Gallery, Budapest

2011
Escape Attempt
Museum Kiscell - Municipal Picture Gallery Cordially
Flying Carpet
Videospace Gallery, Budapest

2010
Anticipated Target Concepts
Vajda Lajos Studio, Szentendre
Constellation of Bones
Neon Gallery, Budapest
A Poem About Nothing
Liget Gallery, Budapest

2009
Delusion with Chord Suite
Pixel Gallery, Millenáris, Budapest

2008
The Phantom of the Museum
Vasarely Museum, Pécs
Schkitz #2
Irokéz, Szombathely

2007
Recorded,
Lada Gallery, Berlin
Hunting Trip, Impex Gallery, Budapest

2006
When Johnny Goes Marching Home, video installation for the 'Generally Believed' exhibition, Mongolischen Botschaft in Berlin, Berlin

2005
Dr.Sample & Mr.Shooter,
Künstlerhaus Bethanien, Berlin
Summer Wine
MEMO, acb Gallery, Budapest

2004
God speed, acb Gallery, Budapest

2003
Turboreflex - Supercut, acb Gallery, Budapest

2002
Oscillatory, Compensation, Dream, XXV Bienal de Sao Paulo
Supervision, Gallery Display, Praha
Then Nothing Else but the Buzzing of the Bees, RAM Gallery, Rotterdam
Things fall out now this way, now that, BBS, Budapest
Supervision, Galleria U, Helsinki

2001
Obsessive Compulsive Disorder, Social Intercourse - 49. Biennale di Venezia, Hungarian Pavilion

2000
The Carnival…, City Gallery, Szombathely
PSVMK Gallery, Győr (H)

1999
6 pictures/ordo/c3/999, ICA - Institute of Contemporary Art, Dunaújváros (H)

1998
Site Transitoire, Italian Insitute, Budapest
Monument or a bit of Masturbation, Knoll Gallery, Budapest

1997
Gallery by Night (with Lang/Bauman) Studio Gallery, Budapest

1996
Alibi Fashion, Studio Gallery, Budapest

1995
The House of Alibi, Bartók 32 Gallery, Budapest

1994
Logo, Mű-Terem Gallery, Budapest

1993
Schkitz #1, Tűzoltó 72. Gallery, Budapest

1991
6 Channels, Tűzoltó 72. Gallery, Budapest

1990
Untitled, Újlak Cinema, Budapest
Untitled, Young Artists’ Club, Budapest

1989
Resistance I., Bercsényi College, Budapest
Resistance II., private studio, Budapest

1987
Untitled, Young Artists’ Club, Budapest

Schkitz #2
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Schkitz #2

video projection

Though both its theme and work method relate it to Schkitz, the artist’s exhibition in Tűzoltó utca, Budapest, 15 years ago, the piece Komoróczky presented in Irokéz Gallery was entirely new.

The form of the work is created by the presence of the objects, “the things” in the same space; which is to say the forms, colours, proportions, rhythm, references and meanings of “the things” can be read to form the same frieze, scripture, cipher, music, meaning combination, formula.

The formal and conceptual correlation of the acoustic installation, video projection, various objects and texts presented at the exhibition assume an extra-logical structure.

In themselves, the elements that make up the context have vague meanings, are difficult to identify, which removes them, to a certain extent, from the realm of an aesthetic that is conceptually comprehensible; will subjects itself to the unknown, so that each can incarnate the other.

“The things” and their mutual influences exist on a level that is below the sign, the consciousness, where the influence they admit is not spiritual intuition or inspiration, but suggestion, mania or compulsion.

Schkitz #2 is essentially a new challenge of compulsion, where in the minimal-zone of the fundamental elements only the sketch is adequate enough: the attempt to show what does not yet exist, or what has not yet assumed this constellation; or on the contrary, to show that the cohesion has broken, and nothing has been left from the frame but the gaps between the elements.